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82-312.5 --- Stripverhaal --- Rubriek serials: kunst en cultuur --- Rubriek serials: grafische- en reclamevormgeving --- Periodicals --- Drawing --- Literature --- comics [documents]
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Rubriek serials: kunst en cultuur --- Rubriek serials: grafische- en reclamevormgeving --- Rubriek serials: interieurvormgeving en design --- Periodicals --- Art --- Interior decoration --- Art. --- Interior decoration. --- kunst
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grafische vormgeving --- Graphic arts --- graphic design --- 766 <05> --- onderwijs --- secundair onderwijs --- Rubriek serials: grafische- en reclamevormgeving --- 750.2 --- illustraties --- verpakking --- grafisch design --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- grafische vormgeving, tijdschriften en seriewerken - verzamelde opstellen --- Periodicals --- 766 <05> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- Grafische kunsten --- Marketing --- Advertising. Public relations
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Maps in journalism --- Charts, diagrams, etc. --- Cartes dans la presse --- Tableaux, diagrammes, etc --- Cartes geographiques. --- Tableaux, graphiques, etc. --- Serge et Madeleine Bonin --- grafiek --- grafische- en reclamevormgeving --- grafisch design --- grafisch ontwerp --- pers --- kranten --- tijdschriften --- diagrammen --- kaarten --- grafieken --- 766.02 --- Journalism --- Authorship --- Methodology --- Technique --- Cartographie --- Géographie (discipline) --- Méthodologie --- Journalism - Authorship --- Journalism - Methodology --- Journalism - Technique --- Graphiques
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Art --- Decorative arts --- Industrial arts --- Advertising. Public relations --- Graphic arts --- graphic design --- grafische vormgeving --- 766 <05> --- #ANTIL0204 --- Rubriek serials: grafische- en reclamevormgeving --- CH / Switzerland - Zwitserland - Suisse --- 766 <05> Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- Toegepaste grafische kunsten. Gebruiksgrafiek: Commerciële grafiek--Tijdschriften --- Periodicals --- Arts and Humanities --- Information Technology --- Telecommunications Technology --- Performing Arts, Travel and Leisure --- Graphics --- Multimedia --- Communication Networks & Technology --- Image Processing & Television Technology --- grafische vormgeving (ok) --- advertising --- marketing --- illustrations [layout features]
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Annotation
Maud Lavin --- grafische vormgeving --- grafiek --- grafische- en reclamevormgeving --- design --- vormgeving --- twintigste eeuw --- cultuurfilosofie --- reclame --- reclamecampagnes --- design en politiek --- maatschappij --- propaganda --- kunst en politiek --- internet --- affiches --- corporate identity --- ethiek --- 766.036 --- Commercial art. --- Graphic arts --- Political aspects. --- Social aspects. --- Commercial art --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Political aspects --- Social aspects
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Early in this century, Futurist and Dada artists developed brilliantly innovative uses of typography that blurred the boundaries between visual art and literature. In The Visible Word, Johanna Drucker shows how later art criticism has distorted our understanding of such works. She argues that Futurist, Dadaist, and Cubist artists emphasized materiality as the heart of their experimental approach to both visual and poetic forms of representation; by mid-century, however, the tenets of New Criticism and High Modernism had polarized the visual and the literary. Drucker suggests a methodology closer to the actual practices of the early avant-garde artists, based on a rereading of their critical and theoretical writings. After reviewing theories of signification, the production of meaning, and materiality, she analyzes the work of four poets active in the typographic experimentation of the 1910s and 1920s: Ilia Zdanevich, Filippo Marinetti, Guillaume Apollinaire, and Tristan Tzara. Few studies of avant-garde art and literature in the early twentieth century have acknowledged the degree to which typographic activity furthered debates about the very nature and function of the avant-garde. The Visible Word enriches our understanding of the processes of change in artistic production and reception in the twentieth century.
grafische- en reclamevormgeving --- grafisch ontwerp --- grafisch design --- typografie --- geschiedenis --- kunst --- kunst en typografie --- futurisme --- dadaïsme --- kubisme --- Marinetti Filippo Tommaso --- Apollinaire Guillaume --- Tzara Tristan --- Zdanevich Ilia --- 766.03 --- 766.02 --- 766.01 --- 7.037 --- Art and literature. --- Art, Modern --- Art, Modern. --- Avant-garde (Aesthetics) --- Avant-garde (Aesthetics). --- Printing --- Printing. --- Type and type-founding --- Type and type-founding. --- History --- 1900-1999. --- 684.3 --- conceptuele kunst --- literatuur en kunst --- typografisch ontwerpen - typografisch tekenen - letters en drukvormen
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Affective and dynamic functions --- Sociology of culture --- Creation (Literary, artistic, etc.). --- Picture perception --- Visual communication. --- Art and society. --- Art patronage. --- Communication in design --- Création (Arts) --- Perception des images --- Communication visuelle --- Art et société --- Mécénat --- Communication en design --- Malcolm Barnard --- design --- grafische vormgeving --- grafisch design --- grafisch ontwerp --- productdesign --- productontwikkeling --- grafische- en reclamevormgeving --- communicatie --- visuele communicatie --- perceptie --- psychologie --- esthetica --- kunstfilosofie --- cultuurfilosofie --- reclame --- Memphis --- Der Ring neue Werbegestalter --- situationisme --- Blaue Reiter --- prerafaelieten --- marktanalyse --- semiologie --- kunst en politiek --- design en politiek --- kunsttheorie --- 766.01 --- 745.01 --- 7.01 --- 159.9 --- Création (Arts) --- Art et société --- Mécénat
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Type designers --- Type and type-founding --- Printing --- Graphic arts --- Printers --- Histoire --- Art graphique --- Caractère --- Typographie --- Book history --- typografie --- typography --- cultuurgeschiedenis --- Publishers. Printers --- Lettering --- Imprimerie --- Lettrage --- History --- 684.3 --- encyclopedieën --- geschiedenis --- 766.02 --- ed. by Friedrich friedl, Nicolaus Ott, Bernard Stein ; Text : The Tools Philipp Luidl --- grafisch design --- grafische- en reclamevormgeving --- grafisch ontwerp --- naslagwerk --- 655.2(03) --- Typografie ; schrift ; naslagwerken --- 655.262 --- Designers --- Fonts (Printing) --- Founts (Printing) --- Metal types --- Type faces --- Typefaces --- Founding --- Typesetting --- typografisch ontwerpen - typografisch tekenen - letters en drukvormen --- Grafische industrie ; typografie ; letterzetten ; encyclopedieën --- Boekdesign--algemeen --- Typografie --- Caracteres d'imprimerie --- Dessinateurs de caracteres --- Imprimeurs --- Arts graphiques --- Dictionnaires
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Thimo te Duits ; With Contributions by Philip van Daalen, Lesley Hoskins, Peter van Kester [et al.] --- grafische vormgeving --- typografie --- design --- twintigste eeuw --- grafische- en reclamevormgeving --- meubelkunst --- productontwikkeling --- productdesign --- Morris William --- Lingerer Karl --- Cuypers P.J.H. --- Bogler Theodore --- Colenbrander Th.A.C. --- Berlage Hendrik Petrus --- Wright Frank Lloyd --- Rietveld Gerrit --- Fuller Richard Buckminster --- Kiljan G. --- Gilles Wim --- Crouwel Wim --- Wirkkala Tapio --- Henningsen Poul --- Loewy Raymond --- Panton Verner --- Mendini Alessandro --- de Lucchi Michele --- Roelandt Aart --- Bellini Mario --- Galliano John --- mode --- Dyson James --- Jongerius Hella --- Newson Marc --- Morrison Jasper --- Koolhaas Rem --- Grcic Konstantin --- van Hoff Dick --- 745.036 --- Cuypers P.J.H --- Colenbrander Th.A.C --- Kiljan G
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